Visual Art

Thumbnail for ‘We are the after’: Kumarangk is more than a story of pain

‘We are the after’: Kumarangk is more than a story of pain

Thumbnail for ‘Making is the fabric that holds me together’: Sharifah Sorayya exposes her past and present

‘Making is the fabric that holds me together’: Sharifah Sorayya exposes her past and present

Thumbnail for ‘First retail downturn in 15 years’: JamFactory puts a lid on hyped commercial venture

‘First retail downturn in 15 years’: JamFactory puts a lid on hyped commercial venture

Thumbnail for ‘If I could talk about it, I wouldn’t paint it’: The enigmatic Anna Platten returns

‘If I could talk about it, I wouldn’t paint it’: The enigmatic Anna Platten returns

Thumbnail for Leaf-blowers and ‘quiet activism’ as artists respond to an age of eco-anxiety

Leaf-blowers and ‘quiet activism’ as artists respond to an age of eco-anxiety

Thumbnail for Art for Takayna reflects on beauty and consequence

Art for Takayna reflects on beauty and consequence

Thumbnail for Adelaide artists triumph at Sydney Contemporary

Adelaide artists triumph at Sydney Contemporary

Thumbnail for The Margaret Preston retrospective at the National Gallery of Victoria is a revelation

The Margaret Preston retrospective at the National Gallery of Victoria is a revelation

Thumbnail for For ceramicist Sam Gold, nothing is fixed: ‘If a crack appears, why not record it?’

For ceramicist Sam Gold, nothing is fixed: ‘If a crack appears, why not record it?’

Thumbnail for Curator revealed for next Adelaide Biennial

Curator revealed for next Adelaide Biennial

Thumbnail for Monet to Matisse delivers the unfamiliar and the exceptional

Monet to Matisse delivers the unfamiliar and the exceptional

Thumbnail for James Tylor’s long exposure of colonisation on Kaurna Yarta

James Tylor’s long exposure of colonisation on Kaurna Yarta

Thumbnail for What’s My Scene: Matthew Quick is questioning the value of art

What’s My Scene: Matthew Quick is questioning the value of art

Thumbnail for Blinded by bling: Cartier show sparkles with tiaras galore

Blinded by bling: Cartier show sparkles with tiaras galore

Thumbnail for Hahndorf’s Heysen heartland gains a new member of the family

Hahndorf’s Heysen heartland gains a new member of the family

Thumbnail for Camouflage collage: Jemima Wyman finds patterns in protest movements

Camouflage collage: Jemima Wyman finds patterns in protest movements

Thumbnail for What’s My Scene: Peter Syndicas sees figurative forms everywhere

What’s My Scene: Peter Syndicas sees figurative forms everywhere

Thumbnail for ‘I know shame and that’s why I live in pride’: The embodied oppositions of Troy-Anthony Baylis

‘I know shame and that’s why I live in pride’: The embodied oppositions of Troy-Anthony Baylis

Thumbnail for ‘It lies at the heart of art history’: Miguel Chevalier sees the light

‘It lies at the heart of art history’: Miguel Chevalier sees the light

Thumbnail for New takes on old treasures at Adelaide’s most gilded gallery

New takes on old treasures at Adelaide’s most gilded gallery

Thumbnail for How America’s ‘Glass City’ forged a remarkable art legacy

How America’s ‘Glass City’ forged a remarkable art legacy

Thumbnail for ‘Something we don’t talk about’: Ida Sophia’s 280 hours of silence

‘Something we don’t talk about’: Ida Sophia’s 280 hours of silence

Thumbnail for Adelaide’s private gallery scene is shrinking, leaving a ‘more fragile ecosystem’ in its wake

Adelaide’s private gallery scene is shrinking, leaving a ‘more fragile ecosystem’ in its wake

Thumbnail for FUSE Glass celebrates the power of simplicity

FUSE Glass celebrates the power of simplicity

Thumbnail for Brenton Dreschler earns his stripes

Brenton Dreschler earns his stripes

Thumbnail for Ceramics shaped by hand, history, and a hope for ‘Convivencia’

Ceramics shaped by hand, history, and a hope for ‘Convivencia’

Thumbnail for ‘Gut-feeling’ summons the wildly experimental spirit of late 20th-century performance art

‘Gut-feeling’ summons the wildly experimental spirit of late 20th-century performance art

Thumbnail for Waterhouse Art Prize explores the toxic and the tragic of our natural world

Waterhouse Art Prize explores the toxic and the tragic of our natural world

Thumbnail for Alfred Lowe’s ‘wild journey’ to art world acclaim

Alfred Lowe’s ‘wild journey’ to art world acclaim

Thumbnail for Bridget Currie ‘collaborates’ with snails, finds wonder in the archive

Bridget Currie ‘collaborates’ with snails, finds wonder in the archive

Thumbnail for Art Gallery lands ‘modernist masterpiece’ after $675,000 bidding war

Art Gallery lands ‘modernist masterpiece’ after $675,000 bidding war

Thumbnail for Yield Strength is a risk-taking Adelaide Biennial with its share of weak points

Yield Strength is a risk-taking Adelaide Biennial with its share of weak points

Thumbnail for Archibald Prize spotlights ‘unhinged and unapologetic’ Adelaide filmmakers

Archibald Prize spotlights ‘unhinged and unapologetic’ Adelaide filmmakers

Thumbnail for Sera Waters takes family history by the collar

Sera Waters takes family history by the collar

Thumbnail for ‘Hundreds of hours’: Honouring the art of labour at the Adelaide Biennial

‘Hundreds of hours’: Honouring the art of labour at the Adelaide Biennial

Thumbnail for A new home for FELTspace, Adelaide’s artist-run ‘playground’

A new home for FELTspace, Adelaide’s artist-run ‘playground’

Thumbnail for ‘Love governs everything’: Faith and nature shape Merric Boyd’s Fantastic Forms

‘Love governs everything’: Faith and nature shape Merric Boyd’s Fantastic Forms

Thumbnail for Julia Robinson twists Arthurian motifs into mossy ‘eco-horror’

Julia Robinson twists Arthurian motifs into mossy ‘eco-horror’

Thumbnail for ‘Gutsy, determined, hilarious and sharp’: Elizabeth Yanyi Close leaves behind a towering legacy

‘Gutsy, determined, hilarious and sharp’: Elizabeth Yanyi Close leaves behind a towering legacy

Thumbnail for Greg Johns retrospective is a landmark exhibition – and an exhibition of landmarks

Greg Johns retrospective is a landmark exhibition – and an exhibition of landmarks

Thumbnail for Stephanie Radok’s spectral trees invite slow reflection

Stephanie Radok’s spectral trees invite slow reflection

Thumbnail for What’s My Scene: For Allison Chhorn, memory makes good material

What’s My Scene: For Allison Chhorn, memory makes good material

Thumbnail for The unmade beds and squalid beauty of Nan Goldin’s chosen family

The unmade beds and squalid beauty of Nan Goldin’s chosen family

Thumbnail for Jasmine Crisp paints with restless energy and empathetic spirit

Jasmine Crisp paints with restless energy and empathetic spirit

Thumbnail for Adelaide Festival review: Manifest Destiny

Adelaide Festival review: Manifest Destiny

Thumbnail for Heart of gold: Archie Moore digs deep for Adelaide Biennial

Heart of gold: Archie Moore digs deep for Adelaide Biennial

Thumbnail for It’s blooming marvellous: The power and passion of Wyman

It’s blooming marvellous: The power and passion of Wyman

Thumbnail for Graduate showcase explores the nostalgic and the uncanny

Graduate showcase explores the nostalgic and the uncanny