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Visual Art
Visual Art
Heysen heads for the hills: private letters reveal artist’s Flinders Ranges fixation
Visual Art
Celebrating South Australia’s century-long love affair with Art Deco – with a hint of mystery
Visual Art
Exile on Stanley Street: new history retraces 170 years of the South Australian School of Art
Visual Art
Jesse Hui’s gentle reflections on self-care and the space in between
Visual Art
Sean Cordeiro and Claire Healy’s adventures in rocket science and sexual mysticism
Visual Art
Finding signs of life in decades of art school history
Books & Poetry
If only I could see through your eyes … how the late great Lloyd Rees taught architects to see
Visual Art
Tarnanthi revisits ‘monumental’ works and rising stars in 10-year celebration
Visual Art
When the artists are also champion surfers, the ocean is everywhere
Visual Art
Monet, Matisse and van Gogh ‘masterworks’ bound for Adelaide in multimillion-dollar Winter Art series
Visual Art
Toxic Surf: Nature Festival artists speak to a community in crisis
Visual Art
‘As a child, I believed in magic’: Damien Shen’s ode to joy, childhood, and card tricks
Visual Art
One stitch at a time: JamFactory pays tribute to Aunty Ellen Trevorrow
Visual Art
Is our state gallery doing enough for South Australia’s living artists?
Visual Art
Australia’s Venice Biennale-winning duo reunite for 2026 Adelaide Biennial
Commentary
A mighty tree has fallen – the passing of William Robinson
Mentorships
‘Unspoken love’: Cutting Fruits shares narratives of resilience and community
Visual Art
‘Everything is going to shit’: Meme-inspired knitted work judged crowd favourite at Ramsay Art Prize
Visual Art
‘An untrusted guard’: Mark Valenzuela’s spiky reflection on colonisation’s legacies
Visual Art
I entered an exhibition about North Terrace on North Terrace, and saw the precinct anew
Review
‘Darkly gothic aura’: Sue Kneebone’s cabinet of post-colonial curiosities
Visual Art
Portrait series sheds light on the secret lives of South Australian artists
Review
Floating through FOREVER: reckoning with life, death and time
Visual Art
In The Studio with Charlotte Tatton
Visual Art
‘It’s a real privilege’: suburban gallery scores works from the national collection
Visual Art
Creative Australia’s backflip on Venice Biennale representatives exposes deep governance failures
Visual Art
A modernist maelstrom or thoughtful deep dive into the interior worlds of women?
Visual Art
Kitchen scrap portraits capture the art of decay
Visual Art
‘People could see it from the train’: Frank Bauer’s life of light and colour
Commentary
Deconstructing public art: It’s a living thing
Books & Poetry
‘Traces of everything around me’: Telling the writer’s story
Visual Art
‘Ecological shadows’: Beached cryptid and tidal fish traps feature in ‘strangely prescient’ exhibition
Visual Art
Review: REDUX – Dianne Longley and Olga Sankey
Visual Art
‘Restless, kinetic’: Australia’s trans histories inspire Ramsay Art Prize-winning work
Visual Art
‘She was driven to escape’: family quest to celebrate Dangerously Modern painter
Mentorships
Do they really know the place we call home?
Visual Art
Art of translation: exhibition speaks to the ‘hope and despair’ of human connection
Visual Art
‘You don’t take anything for granted’: Tsering Hannaford’s left-hand turn
Visual Art
An art exhibition that wants you to touch the work
Visual Art
Dancing bear and warzone poetry among 2025 Ramsay Art Prize finalists
Visual Art
Conversations with nature at the Heysen Sculpture Biennial
Books & Poetry
‘Hooked into our souls’: Andrew Turley’s globetrotting Sidney Nolan saga
Visual Art
In the Studio with Sair Bean
Visual Art
‘Epicentre of white-hot passion’: 50 years of Donald Judd’s controversial concrete
Visual Art
New research lays bare the harsh realities facing artists and arts workers
Visual Art
Shared Skin traces families and rituals across borders and generations
Books & Poetry
Anything goes: The fine art of collecting …
Visual Art
Blue Poles and its $1.4m price-tag shocked the nation, but did it change us?
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