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Music
Music
Recharged: Aussie icon revamps hit tour to catch growing wave of nostalgia
Music
Music review: The Drones
Music
What’s My Scene: The Genevieves find their place between the waves
Music
Music review: Lucas and Arthur Jussen
Music
Music review: Nicholas Altstaedt and Thomas Dunford
Music
Ben Folds to reunite with Adelaide Symphony Orchestra
Music
Tamám Shud: Phoebe Bridgers is the latest artist inspired by Somerton Man mystery
Music
Music review: Australian String Quartet with Julian Smiles
Music
Music review: Adelaide Chamber Singers – Stellar
Music
‘Sold all my suits’: An Elvis tribute artist leaves the building
Music
Anastasia’s Georgina Hopson turns childhood ‘obsession’ into star turn
Music
Music review: Attacca Quartet
Commentary
Singers can sing … but can they speak their mind?
Music
What’s My Scene: For Grace Vandals, music is about holding a memory
Music
Music review: Andrea Lam
Music
Music review: Jayson Gillham and Iyad Sughayer
Music
Music review: Adelaide Symphony Orchestra – New Ground
Music
Music review: Karnivool
Film & TV
The lost world of an orphan’s cantata, handwritten in the time of Vivaldi
Music
Swapmeet make music in service of a feeling
Music
Music review: The Lost Art of Listening
Music
What’s My Scene: Ryan Martin John finds magic in the moment
Music
Music review: Unsound Adelaide 2026
Music
What’s My Scene: Motez is making music for himself – and the dancefloor
Music
Maintaining the rage: The reckoning of Kita Alexander
Music
Music review: The Gesualdo Six
Music
Anna Butterss on touring with Flea, and the ‘counter-cultural antidote’ of live music
Music
What’s My Scene: Any Young Mechanic bring Adelaide’s ‘freak corner’ to the world
Music
‘Back to making music’: Pianist-turned-plaintiff Jayson Gillham returns to the stage
Music
Cabaret Festival review: Monsieur Camembert – Cohen Noir
Music
Cabaret Festival review: Homecoming
Music
What’s My Scene: Street Legal drop the needle between critique and catharsis
Music
Music review: Australian String Quartet – Interwoven
Music
‘To lose momentum is like death’: Superjesus star Sarah McLeod’s cabaret turn
Music
What’s My Scene: Anya Anastasia’s favourite collaborator is nature
Music
In the age of online ‘brain rot’, what’s a burnt-out classical musician to do?
Music
Cabaret Festival review: Ursula Yovich Sings Nina Simone
Music
‘A love letter to becoming’: West End star Baylie Carson’s Cabaret Festival homecoming
Music
‘What a nice surprise’ … ARC welcomes us to Hotel California
Music
Music review: Adelaide Symphony Orchestra takes on Wagner’s The Ring
Music
‘That’s what I’m singing for’: The dreamy Yolngu pop of Drifting Clouds
Music
Music review: Split Enz at Adelaide Entertainment Centre
Music
Music review: Things of Stone and Wood
Music
What’s My Scene: Anna Jeavons takes comfort in the chaos
Music
What’s My Scene: Lou Blackwell shares the Great French Songbook
Music
Music review: Coriole Music Festival
Music
Cello star goes solo with ‘vulnerable, truthful, scary’ debut album
Commentary
Good vibrations for Brian Wilson are heading Down Under
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