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Music
Commentary
Good vibrations for Brian Wilson are heading Down Under
Music
Music review: An Afternoon of Jazz
Music
‘It all comes from love’: Young star finds the joy in Oscar Wilde’s ‘epically progressive’ classic
Music
What’s My Scene: Tom West wouldn’t trade away his young, cringe and clueless era
Music
‘Serenading future vintages’: Chamber music returns to Coriole winery
Music
Music review: Leonkoro Quartet
Music
What’s My Scene: Gilly & Bede are one folk duo that won’t end up hating each other
Music
Golden Brown makes its way back to town
Music
Dreams unwind with the ultimate Fleetwood Mac tribute show
Music
Trials ‘will not be broken’ on his long-awaited solo LP
Music
Music review: David Elton and Friends
Music
What’s My Scene: Maajela swap the temple for the festival stage
Music
‘Everything happens in the moment’: Leonkoro Quartet balance the brutal and the fragile
Music
Music Review: Adelaide Symphony Orchestra – In the Quiet
Music
How Stephen Cummings got his rhythm back
Music
‘You can administer your own dosage’: 365 days of The Mountain Goats
Music
French pianist who seeks to be different
Music
For Bad//Dreems, a good music scene is like a local football club
Music
Crowd pleaser MJ The Musical moonwalks into standing ovations
Music
Fringe review: California Crooners Club
Music
Back in the game: The evolution of Danielle Spencer
Music
Slava Grigoryan strikes new chord after ‘gut-wrenching’ Guitar Festival axing
Music
Adelaide Festival review: Sergej Krylov with Konstantin Shamray
Music
Fringe review: Andrew & Carrie – A Night of Comedy, Violins, and Violence
Music
Fringe review: Loops! I Did it Again
Music
Fringe review: Tutti Frutti Circus & Cabaret Chaos
Comedy
Fringe review: Phoebs, You’re A Lesbian
Music
Adelaide Festival review: El Niño – Nativity Reconsidered
Music
Fringe review: Bed Bug
Music
Fringe review: Music & Mayhem – Rebellion
Music
‘Musicians are funny people’: Bret McKenzie has given up trying to suppress his playful side
Music
Fringe review: An Hour of Sad Songs
Music
Fringe review: Peter Combe in Brush Your Hair With a Toothbrush
Music
Fringe review: Tree of Dreams
Music
Fringe review: Skank Sinatra – The Name on Everybody’s Lips
Music
WOMADelaide review: Grace Jones-led festival gets its ‘Goldiocks’ moment
Music
Fringe review: Club Cartier – Ecdysiast
Music
Adelaide Festival review: The Tiger Lillies – Serenade From the Sewer
Music
Lindsey Kraft and Ben Folds premiere new musical at Adelaide Fringe
Music
Fringe review: Romanza – A Diva in Paris
Music
Fringe review: Songs From Life
Music
Fringe review: Liana Perillo (Quartet)
Music
Adelaide Festival review: Anthony Marwood
Music
‘The music was in me’: Kankawa Nagarra’s long road to music stardom
Music
Fringe Review: Lirix is Here
Comedy
Fringe review: Little Miss Typecast
Music
Adelaide Festival review: Tyshawn Sorey
Music
Adelaide Festival review: Ensemble Pygmalion – Bach: Good Night World
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