Anthony Nocera’s Log Boy is a manically beautiful fever dream that champions love, grief and the complexities of queerness across generations.

Fourteen years after her last survey exhibition, a rare showing of new work from Anna Platten sees the reclusive artist reckon with ageing and death in her own virtuosic, idiosyncratic style.

In our regular Q&A column What’s My Scene, InReview speaks to emerging and established local artists to get their take on the South Australian creative scene and their place within it. This week, producer, composer, and bassist Ross McHenry reflects on leaving Adelaide, while carrying its influence in every note.

Olivia De Zilva’s irreverent debut poetry collection melds the language of pop and online culture with the absurdities of late-stage capitalism to explore the human costs of living in a world obsessed with productivity.

The late American actor Ron Vawter made a huge impression at the 1986 Adelaide Festival. A new film from Ira Sachs sees Oscar-winner Rami Malek play a character partly inspired by Vawter’s life and tragic death.

Adelaide Festival’s youngest ever artistic director and self-described ‘Kafka groupie’ is back to present one of the 2027 event’s first major announcements: a Yiddish vaudeville-inspired take on Franz Kafka’s The Trial.