The world has changed a lot in the seven years since Gabrielle Nankivell first created Future History. As she prepares for the show’s return, she says one thing that hasn’t changed, is how the body is a marker of resilience and hope.

Fourteen years after her last survey exhibition, a rare showing of new work from Anna Platten sees the reclusive artist reckon with ageing and death in her own virtuosic, idiosyncratic style.

In our regular Q&A column What’s My Scene, InReview speaks to emerging and established local artists to get their take on the South Australian creative scene and their place within it. This week, Parvyn revisits her first live experience: falling asleep onstage as a seven-year-old.

Olivia De Zilva’s irreverent debut poetry collection melds the language of pop and online culture with the absurdities of late-stage capitalism to explore the human costs of living in a world obsessed with productivity.

A global filmmaking superstar is back in town to showcase his new World War II movie starring Fleabag’s Andrew Scott.

Adelaide Festival’s youngest ever artistic director and self-described ‘Kafka groupie’ is back to present one of the 2027 event’s first major announcements: a Yiddish vaudeville-inspired take on Franz Kafka’s The Trial.