From protest-inspired budgerigar costumes to paper-eating snails, Bridget Currie’s latest exhibition responds to Flinders University’s rich and occasionally absurd archive of 1960s and 70s conceptual art.

Cucumber sandwiches fly in State Theatre Company South Australia’s gloriously brash production that restores Wilde’s queerness to the centre of The Importance of Being Earnest.

Starring a young Cate Blanchett in her first film role, the 1996 film Parklands remains a surprisingly evergreen – and very Adelaide – reflection on memory and place. 30 years after its release, writer-director Kathryn Millard reflects on the film and the current parklands controversy.

South Australian zoologist Danielle Clode tackles her prickliest subject yet: getting up close to the quilled monotreme with backwards feet, a tendency to hibernate when things get tough, and a leathery snout for snorting ants.

In our regular Q&A column What’s My Scene, InReview speaks to emerging and established local artists to get their take on the South Australian creative scene and their place within it. This week, folk journeyman Tom West reflects on his early years in Adelaide, and stepping out into the ‘unknown’ of North America.

West Australian Ballet’s interpretation of the 1992 film Bram Stoker’s Dracula is gripping and masterfully original. The only thing missing was a live orchestra.