As they prepare to part ways with their heritage-listed venue, Goodwood Theatre owners Simone Avramidis and Chris Iley have tapped a series of local creatives to bring life to a relatively “dead month” in Adelaide’s theatre calendar.

The first exhibition at the long-awaited, multimillion dollar addition to The Cedars showcases moments of domesticity in lieu of predictable ‘blockbuster’ moments to refocus the story of father-daughter duo Hans and Nora Heysen.

After 22 years on stage, Adelaide carpenter turned celebrated Elvis tribute act Mark Anthony is retiring from the craft after one final tribute to the King of rock ‘n’ roll.

Victoria Hannan’s I Love the Whole World! is a playful and unexpected midlife coming-of-age story that makes a compelling case for curiosity, earnestness and remaining open to wonder.

In honour of this week’s release of Christopher Nolan’s The Odyssey, we reflect on the history of sword-and-sandal films.

A string of closures has chipped away at Adelaide’s commercial gallery sector, with causes including rising costs, declining visitation, and the occasional gallery-flattening road project. Critic and art historian Margot Osborne explores what it means for South Australia’s art landscape.