In our regular Q&A column What’s My Scene, InReview speaks to emerging and established local artists to get their take on the South Australian creative scene and their place within it. This week, photographer, poet and actor Christian Best celebrates the people making “fun, weird, cool art” on a shoestring budget in their backyard.

Independent theatre collective Rotpunkt find room for invention in a grassroots take on one of the most important philosophical plays of our time, Jean-Paul Sartre’s No Exit. The result is literally Hell.

Bridgerton has turned period drama upside down and is doing so again in its raunchy fourth outing.

With her new book Pearls and Fringe production Who Killed Gough Whitlam? set to land within days of each other, Tracy Crisp talks about adapting her acclaimed stage shows for readers, and launching new work in a disrupted festival season.

Mike Oldfield followed up his 1973 hit debut album Tubular Bells with two sequels – and all three will feature in a concert tribute to his brilliance.

As Slingsby Theatre readies its three-part curtain-call A Concise Compendium of Wonder, artistic director Andy Packer reflects on the company’s history, and their ecological ambitions for sustainable touring theatre.