Noni Hazlehurst delivers a devastating one-woman performance in Daniel Keene’s The Lark, a tender exploration of ageing, obligation and the way a life can become inseparable from the place we inhabit.

Between the exhibited finalists of its biennial FUSE Glass Prize, and the fruits of FUSE residency recipient Nadège Desgenétez’s time in the workshop, JamFactory continues to support ambitious and expressive new work in the medium.

When one of rock’s best-known bassists needs a bassist, who do they call? On his debut solo album Honora, Red Hot Chili Peppers co-founder Flea tapped Anna Butterss, the Adelaide-born musician making a deep impact in America’s modern jazz scene.

Stephen Orr’s latest novel draws from the life of anthropologist Theodore ‘Ted’ Strehlow to explore the power of belief, intergenerational legacies and the limits of good intentions.

What makes Steven  Spielberg run? With the release of his latest blockbuster, Disclosure Day, Steven Vagg reflects on the legacy of the undisputed architect of modern cinema – and how he just ‘keeps trying to find those mountains’.

An axe-swinging, cabbage-fermenting, toilet graffiti-ing new exhibition at Adelaide Contemporary Experimental offers more than a nostalgic trawl through the ghosts of Adelaide’s performance art past.