Jasmine Crisp’s murals have taken the Adelaide artist all around the world, but a new body of work swaps walls for canvas to capture friends and fellow travellers in moments of makeshift domesticity.

Trophy Boys star Kidaan Zelleke explains how playwright Emmanuelle Mattan’s gender-flipped comedy skewers the red flags and complex culture of private school debating.

Ahead of the Adelaide Festival premiere of Mary Said What She Said, the French cinema great reflects on playing a condemned queen, a murderous countess, and a billionaire – and her collaboration with the late Robert Wilson.

In this week’s Poet’s Corner, South Australia’s Karen Blaylock looks at a past master.

The unveiling of a west end tribute to a top Adelaide hip-hop trio that took the hard road from Blackwood is only A Matter of Time, well a matter of months to be more precise.

EXCLUSIVE: Back from overseas, artistic director Matthew Lutton speaks to InReview about the Adelaide Writers’ Week controversy that threatened to engulf his first Adelaide Festival program – starting next week.