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Film & TV
Film & TV
The year in film: That’s (not) all, folks
Film & TV
Greed: Why this 100-year-old movie is still so important
Film & TV
Film review: Green Border
Film & TV
Cate Blanchett on ‘Rumours’ and getting lost in the woods
Film & TV
Ten top TV shows you might have missed in 2024
Film & TV
Film review: Gladiator II
Film & TV
Film review: Widow Clicquot
Film & TV
Film review: The Outrun
Festivals
Queering the cinema for Adelaide’s Feast Festival
Film & TV
Streaming picks: Naked tennis, outback feuds and a chimp named Tonka
Commentary
Australian stories silenced as govt ponders local content quotas for streaming giants
Film & TV
Film Festival review: Kangaroo Island
Film & TV
Film Festival review: We Bury The Dead
Film & TV
Film Festival review: I Am the River, The River is Me
Film & TV
Film Festival review: Blitz
Film & TV
Film Festival review: Emilia Pérez
Film & TV
Film Festival review: Anora
Film & TV
Film Festival review: The Correspondent
Film & TV
Netflix’s Territory is a Succession-style drama with a wild Top End vibe
Film & TV
Film review: Lee
Festivals
Film star Lars Eidinger on Dying, kangaroos and the secret of his acting success
Festivals
Kangaroo Island sets the scene for Film Festival gala screening
Film & TV
Anchor links
Film & TV
Film review: Joker – Folie à Deux
Film & TV
Film review: Comandante
Film & TV
Festivals
Adelaide Film Festival unveils full 2024 program
Film & TV
Film review: Beetlejuice Beetlejuice
Film & TV
What we can learn from ABC TV’s The Assembly
Film & TV
There’s a new chapter in store for the Ladies in Black
Film & TV
High Country delivers a fresh take on Australian rural noir