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2026 Adelaide Festival
Dance
Adelaide Festival review: The Chronicles
Adelaide Festival review: Gatz
Adelaide Festival review: Manifest Destiny
WOMADelaide review: Grace Jones-led festival gets its ‘Goldiocks’ moment
Music
Adelaide Festival review: Works and Days
Theatre
Adelaide Festival review: The Tiger Lillies – Serenade From the Sewer
Music
Adelaide Festival review: Mary Said What She Said
Theatre
Adelaide Festival review: Ensemble Pygmalion – Vespers and Orfeo
Review
Adelaide Festival review: Anthony Marwood
Music
‘The music was in me’: Kankawa Nagarra’s long road to music stardom
Music
Adelaide Festival review: Tyshawn Sorey
Music
Adelaide Festival review: POV
Theatre
Adelaide Festival review: Ensemble Pygmalion – Bach: Good Night World
Music
Adelaide Festival review: Olli Mustonen – The Beethoven Sonatas
Music
Adelaide Festival review: GuoGuoHuiHui – Re-shaping Identity
Dance
Adelaide Festival review: Mama Does Derby
Review
Adelaide Festival review: Perle Noire – Meditations For Joséphine
Music
Adelaide Festival review: The Cherry Orchard
Review
‘All voices should be heard’: Pulp open Adelaide Festival with 90s nostalgia and a simple message
Music
Adelaide Festival review: History of Violence
Review
Heart of gold: Archie Moore digs deep for Adelaide Biennial
Visual Art
‘I was very hungry’: Isabelle Huppert courts blood and betrayal on stage and screen
Theatre
Grace Jones and Yothu Yindi lead a WOMADelaide lineup of legacy and discovery
Festivals
Adelaide Festival review: Slingsby’s A Concise Compendium of Wonder
Review
Your festival season fix is here
Festivals
Writing love songs is ‘the easiest thing’ for Jalen Ngonda
Music
Adelaide Festival director breaks silence on Writers’ Week, reaffirms ‘defiant spirit’
Festivals
For Iron & Wine’s Sam Beam, there are ‘no wrong answers’ in music
Music
‘Electric and theatrical’: Roller derby and family life collide onstage in Mama Does Derby
Theatre
Peter Sellars makes Adelaide Festival return: ‘I hope I am coming back as an old friend’
Music
‘Find me the Meryl Streep of Korea’: Simon Stone serves Chekhov with K-drama twist in The Cherry Orchard
Theatre
What’s My Scene: My Chérie finds strength in vulnerability
Music
‘There’s more life in a fallen tree than a standing one’: Slingsby plots a long farewell after 21 years
Theatre
Adelaide Festival 2026 revealed: Britpop legends and a Squid Game star
Festivals
Australia’s Venice Biennale-winning duo reunite for 2026 Adelaide Biennial
Visual Art
Adelaide Festival reveals its hail Mary for 2026 program
Festivals