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2026 adelaide festival review
Dance
Fringe review: Kuramanunya
Fringe review: Tash York is Drop Red Gorgeous
Maren May: Why Haven’t You Listened to That Song I Sent You?
Fringe review: Bob Marley – How Reggae Changed the World
Theatre
Fringe review: Kathy Maniura – The Cycling Man
Comedy
Fringe review: Forgotten Tributary
Theatre
Fringe review: The Perfect Life (A Musical by Amity Dry)
Theatre
Fringe review: What Songs May Do…
Dance
Fringe review: Homer’s Odyssey – A Mini Musical
Theatre
Fringe review: For You to Know and Me to Find Out
Dance
Fringe review: Laser Kiwi – Everybody Knows
Theatre
Adelaide Festival review: Sergej Krylov with Konstantin Shamray
Music
Adelaide Festival review: Theatre of Dreams
Dance
Adelaide Festival review: El Niño – Nativity Reconsidered
Music
Adelaide Festival review: The Chronicles
Dance
Adelaide Festival review: Gatz
Theatre
Fringe: Hannah Maxwell – My Gay Lady
Theatre
Fringe review: Murder, She Didn’t Write
Comedy
Fringe review: Fuccbois – Live in Concert
Theatre
Fringe review: Psycho or Psychic
Theatre
Adelaide Festival review: Manifest Destiny
Visual Art
Fringe review: Wright & Grainger’s Orpheus
Theatre
WOMADelaide review: Grace Jones-led festival gets its ‘Goldiocks’ moment
Music
Adelaide Festival review: Works and Days
Theatre
Adelaide Festival review: The Tiger Lillies – Serenade From the Sewer
Music
Adelaide Festival review: Mary Said What She Said
Theatre
Adelaide Festival review: Ensemble Pygmalion – Vespers and Orfeo
Review
Fringe review: Romanza – A Diva in Paris
Music
Fringe review: Songs From Life
Music
Fringe review: Liana Perillo (Quartet)
Music
Fringe review: Wright&Grainger’s Selene
Theatre
Fringe review: Anith Mukherjee – Wasting Time
Comedy
Adelaide Festival review: Anthony Marwood
Music
Adelaide Festival review: Tyshawn Sorey
Music
Adelaide Festival review: POV
Theatre
Adelaide Festival review: Ensemble Pygmalion – Bach: Good Night World
Music
Fringe review: Just To Be Close To You
Comedy
Adelaide Festival review: Olli Mustonen – The Beethoven Sonatas
Music
Adelaide Festival review: Mama Does Derby
Review
Adelaide Festival review: Perle Noire – Meditations For Joséphine
Music
Adelaide Festival review: The Cherry Orchard
Review
‘All voices should be heard’: Pulp open Adelaide Festival with 90s nostalgia and a simple message
Music
Adelaide Festival review: History of Violence
Review
Adelaide Festival review: Slingsby’s A Concise Compendium of Wonder
Review
Your festival season fix is here
Festivals
