Theatre

Thumbnail for Pip Williams bestseller The Bookbinder of Jericho bound for the stage

Pip Williams bestseller The Bookbinder of Jericho bound for the stage

Thumbnail for The Castle on stage? Tell ’em they’re dreamin’!

The Castle on stage? Tell ’em they’re dreamin’!

Thumbnail for ‘Adelaide f***ed it up badly’: Kosky does Kafka for 2027 Adelaide Festival return

‘Adelaide f***ed it up badly’: Kosky does Kafka for 2027 Adelaide Festival return

Thumbnail for Theatre review: Commentary

Theatre review: Commentary

Thumbnail for Aussie rules: Theatre legend shines in majestic role befitting her pedigree

Aussie rules: Theatre legend shines in majestic role befitting her pedigree

Thumbnail for Musical review: Into the Woods

Musical review: Into the Woods

Thumbnail for Preview: Hansel & Gretel

Preview: Hansel & Gretel

Thumbnail for ‘What if you’re the barnacle on the talent whale?’ Ash Flanders questions the online pile-on in new play

‘What if you’re the barnacle on the talent whale?’ Ash Flanders questions the online pile-on in new play

Thumbnail for Theatre review: Me & My Shadow

Theatre review: Me & My Shadow

Thumbnail for Bringing back the low-tech magic and ‘child logic’ of an old Patch favourite

Bringing back the low-tech magic and ‘child logic’ of an old Patch favourite

Thumbnail for Theatre review: The Sound Inside

Theatre review: The Sound Inside

Thumbnail for ‘Deliciously inefficient’: State Opera defiantly pits itself against the algorithm

‘Deliciously inefficient’: State Opera defiantly pits itself against the algorithm

Thumbnail for What’s My Scene: Michelle Nightingale goes with her gut

What’s My Scene: Michelle Nightingale goes with her gut

Thumbnail for History rocks: The stars of the teachers of antiquity

History rocks: The stars of the teachers of antiquity

Thumbnail for Anastasia’s Georgina Hopson turns childhood ‘obsession’ into star turn

Anastasia’s Georgina Hopson turns childhood ‘obsession’ into star turn

Thumbnail for Festival of ‘little offshoots’ to give homegrown plays a second life beyond Mad March

Festival of ‘little offshoots’ to give homegrown plays a second life beyond Mad March

Thumbnail for Anthony LaPaglia homeward bound for Adelaide stage debut

Anthony LaPaglia homeward bound for Adelaide stage debut

Thumbnail for Musical review: Anastasia The Broadway Musical

Musical review: Anastasia The Broadway Musical

Thumbnail for Theatre review: Bright

Theatre review: Bright

Thumbnail for What’s My Scene: Playwright Sean Riley knows the power of a good mentor

What’s My Scene: Playwright Sean Riley knows the power of a good mentor

Thumbnail for A tale of friendship, survival, and rebellion from Adelaide’s ‘Little Beirut’

A tale of friendship, survival, and rebellion from Adelaide’s ‘Little Beirut’

Thumbnail for Opera review: Don Giovanni

Opera review: Don Giovanni

Thumbnail for From Class of Cabaret to the Heathers stage

From Class of Cabaret to the Heathers stage

Thumbnail for Theatre review: Heathers the musical

Theatre review: Heathers the musical

Thumbnail for Young playwright shares story of ‘blood memory’ and healing

Young playwright shares story of ‘blood memory’ and healing

Thumbnail for Theatre review: Uncle Vanya – but there’s ASMR soap cutting videos playing in the bottom right corner

Theatre review: Uncle Vanya – but there’s ASMR soap cutting videos playing in the bottom right corner

Thumbnail for Theatre review: The Lark

Theatre review: The Lark

Thumbnail for Beetlejuice heads to early grave in latest musical cancellation

Beetlejuice heads to early grave in latest musical cancellation

Thumbnail for Cabaret Festival review: House Of Rot – Grey Gardens

Cabaret Festival review: House Of Rot – Grey Gardens

Thumbnail for Theatre review: Branch Nebula – Exposure

Theatre review: Branch Nebula – Exposure

Thumbnail for Cabaret Festival review: Baylie Carson is Handsome(ish)

Cabaret Festival review: Baylie Carson is Handsome(ish)

Thumbnail for Cabaret Festival review: Artefact (or, Repatriation: The Musical)

Cabaret Festival review: Artefact (or, Repatriation: The Musical)

Thumbnail for Cabaret Festival review: Natalie Gamsu, Em Rusciano and Gillian Cosgriff

Cabaret Festival review: Natalie Gamsu, Em Rusciano and Gillian Cosgriff

Thumbnail for Cabaret Festival review: 2026 Variety Gala

Cabaret Festival review: 2026 Variety Gala

Thumbnail for ‘A love letter to becoming’: West End star Baylie Carson’s Cabaret Festival homecoming

‘A love letter to becoming’: West End star Baylie Carson’s Cabaret Festival homecoming

Thumbnail for Musical review: Pretty Woman

Musical review: Pretty Woman

Thumbnail for Theatre review: Till the Stars Come Down

Theatre review: Till the Stars Come Down

Thumbnail for ‘We’re not dumbing it down, we’re lifting it up’: Chekhov for doomscrollers hits Adelaide

‘We’re not dumbing it down, we’re lifting it up’: Chekhov for doomscrollers hits Adelaide

Thumbnail for What’s My Scene: Maybelline Celles Spinley San Juan is an arts industry ‘Hannah Montana’

What’s My Scene: Maybelline Celles Spinley San Juan is an arts industry ‘Hannah Montana’

Thumbnail for Gods, grief and glory

Gods, grief and glory

Thumbnail for ‘It all comes from love’: Young star finds the joy in Oscar Wilde’s ‘epically progressive’ classic

‘It all comes from love’: Young star finds the joy in Oscar Wilde’s ‘epically progressive’ classic

Thumbnail for Theatre review: The Importance of Being Earnest

Theatre review: The Importance of Being Earnest

Thumbnail for Dreams unwind with the ultimate Fleetwood Mac tribute show

Dreams unwind with the ultimate Fleetwood Mac tribute show

Thumbnail for Theatre review: The Housewarming

Theatre review: The Housewarming

Thumbnail for ‘Sad experiment’: West Australian Ballet’s larger-than-life Dracula with an empty pit

‘Sad experiment’: West Australian Ballet’s larger-than-life Dracula with an empty pit

Thumbnail for ‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

Thumbnail for Theatre review: RBG: Of Many, One

Theatre review: RBG: Of Many, One

Thumbnail for ‘I can hear people weeping’: Heather Mitchell rises to the role of Ruth Bader Ginsberg

‘I can hear people weeping’: Heather Mitchell rises to the role of Ruth Bader Ginsberg