Theatre

Thumbnail for Fringe review: Double Take

Fringe review: Double Take

Thumbnail for Fringe Review: Pilgrim

Fringe Review: Pilgrim

Thumbnail for Fringe review: The LadyBoys of Bangkok

Fringe review: The LadyBoys of Bangkok

Thumbnail for Fringe review: Tracy Crisp – Who Killed Gough Whitlam?

Fringe review: Tracy Crisp – Who Killed Gough Whitlam?

Thumbnail for Adelaide Festival review: Mama Does Derby

Adelaide Festival review: Mama Does Derby

Thumbnail for Fringe review: One Must Imagine the Boiling Frog Happy

Fringe review: One Must Imagine the Boiling Frog Happy

Thumbnail for What’s My Scene: Amelia Rooney isn’t scared of her voice anymore

What’s My Scene: Amelia Rooney isn’t scared of her voice anymore

Thumbnail for Fringe review: GASHA

Fringe review: GASHA

Thumbnail for Fringe review: Cyclops – A Satyr Play

Fringe review: Cyclops – A Satyr Play

Thumbnail for Adelaide Festival review: The Cherry Orchard

Adelaide Festival review: The Cherry Orchard

Thumbnail for Adelaide Festival review: History of Violence

Adelaide Festival review: History of Violence

Thumbnail for Fringe review: The Soaking of Vera Shrimp

Fringe review: The Soaking of Vera Shrimp

Thumbnail for ‘I was very hungry’: Isabelle Huppert courts blood and betrayal on stage and screen

‘I was very hungry’: Isabelle Huppert courts blood and betrayal on stage and screen

Thumbnail for Fringe review: Gemma Caruana – Rage Bait

Fringe review: Gemma Caruana – Rage Bait

Thumbnail for Fringe review: James Rowland – Team Viking

Fringe review: James Rowland – Team Viking

Thumbnail for Fringe review: Bubble Show in Space

Fringe review: Bubble Show in Space

Thumbnail for Adelaide Festival review: Slingsby’s A Concise Compendium of Wonder

Adelaide Festival review: Slingsby’s A Concise Compendium of Wonder

Thumbnail for Fringe review: Millicent Sarre is Too Tired to Smash (Patriarchy)

Fringe review: Millicent Sarre is Too Tired to Smash (Patriarchy)

Thumbnail for Fringe review: Dust

Fringe review: Dust

Thumbnail for Fringe Review: New Romantics

Fringe Review: New Romantics

Thumbnail for Fringe review: Dream Space

Fringe review: Dream Space

Thumbnail for Fringe review: Earnest?

Fringe review: Earnest?

Thumbnail for Fringe review: Max Sharam Is Mezzo Cuckoo

Fringe review: Max Sharam Is Mezzo Cuckoo

Thumbnail for Fringe review: Meteors

Fringe review: Meteors

Thumbnail for Fringe review: George Orwell’s Animal Farm by Van Badham

Fringe review: George Orwell’s Animal Farm by Van Badham

Thumbnail for ‘There’s this crater that’s left in you’: Melissa Pullinger traces grief’s deep impact

‘There’s this crater that’s left in you’: Melissa Pullinger traces grief’s deep impact

Thumbnail for Fringe review: Eat The Rich (but maybe not me mates x)

Fringe review: Eat The Rich (but maybe not me mates x)

Thumbnail for Fringe review: The Soaking of Vera Shrimp

Fringe review: The Soaking of Vera Shrimp

Thumbnail for Fringe review: The Debate

Fringe review: The Debate

Thumbnail for Fringe review: Wright & Grainger’s Eurydice

Fringe review: Wright & Grainger’s Eurydice

Thumbnail for ‘The most elaborate coming out’: Yoz Mensch’s road to happiness

‘The most elaborate coming out’: Yoz Mensch’s road to happiness

Thumbnail for ‘Electric and theatrical’: Roller derby and family life collide onstage in Mama Does Derby

‘Electric and theatrical’: Roller derby and family life collide onstage in Mama Does Derby

Thumbnail for ‘A magical thing’: Fringe faithful Britt Plummer is leading a clown revolution

‘A magical thing’: Fringe faithful Britt Plummer is leading a clown revolution

Thumbnail for Theatre review: Rotpunkt – No Exit

Theatre review: Rotpunkt – No Exit

Thumbnail for Wackadoo! There’s no place like home for Bluey’s stage show

Wackadoo! There’s no place like home for Bluey’s stage show

Thumbnail for ‘Find me the Meryl Streep of Korea’: Simon Stone serves Chekhov with K-drama twist in The Cherry Orchard

‘Find me the Meryl Streep of Korea’: Simon Stone serves Chekhov with K-drama twist in The Cherry Orchard

Thumbnail for ‘There’s more life in a fallen tree than a standing one’: Slingsby plots a long farewell after 21 years

‘There’s more life in a fallen tree than a standing one’: Slingsby plots a long farewell after 21 years

Thumbnail for Musical review: Here You Come Again

Musical review: Here You Come Again

Thumbnail for Theatre review: Scenes with Girls

Theatre review: Scenes with Girls

Thumbnail for ‘No failure in circus, just feedback’: South Australia’s ‘social circus’ clears 40-year milestone

‘No failure in circus, just feedback’: South Australia’s ‘social circus’ clears 40-year milestone

Thumbnail for ‘It’s about friendship’: Actor Ashton Malcolm steps offstage to direct Scenes with Girls

‘It’s about friendship’: Actor Ashton Malcolm steps offstage to direct Scenes with Girls

Thumbnail for New work revisits the staging of iconic ’60s play, The One Day of the Year

New work revisits the staging of iconic ’60s play, The One Day of the Year

Thumbnail for Theatre review: The Glass Menagerie

Theatre review: The Glass Menagerie

Thumbnail for ‘Algorithms are tearing us apart’: local playwright explores the killing of a right-wing pundit

‘Algorithms are tearing us apart’: local playwright explores the killing of a right-wing pundit

Thumbnail for Back to the future: Bill Bryson to return to OZ with ‘Everything’ updated

Back to the future: Bill Bryson to return to OZ with ‘Everything’ updated

Thumbnail for OzAsia Festival review: Opera for the Dead 祭歌

OzAsia Festival review: Opera for the Dead 祭歌

Thumbnail for ‘It so delicately paints human connection’: The Glass Menagerie still a window to the world

‘It so delicately paints human connection’: The Glass Menagerie still a window to the world

OzAsia Festival review: Ryuichi Fujimura – HERE NOW Trilogy