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Theatre
Theatre
‘I was very hungry’: Isabelle Huppert courts blood and betrayal on stage and screen
Comedy
Fringe review: Gemma Caruana – Rage Bait
Theatre
Fringe review: James Rowland – Team Viking
Review
Fringe review: Bubble Show in Space
Review
Adelaide Festival review: Slingsby’s A Concise Compendium of Wonder
Review
Fringe review: Millicent Sarre is Too Tired to Smash (Patriarchy)
Review
Fringe review: Dust
Theatre
Fringe Review: New Romantics
Review
Fringe review: Dream Space
Theatre
Fringe review: Earnest?
Review
Fringe review: Max Sharam Is Mezzo Cuckoo
Review
Fringe review: Meteors
Review
Fringe review: George Orwell’s Animal Farm by Van Badham
Festivals
‘There’s this crater that’s left in you’: Melissa Pullinger traces grief’s deep impact
Theatre
Fringe review: Eat The Rich (but maybe not me mates x)
Theatre
Fringe review: The Soaking of Vera Shrimp
Theatre
Fringe review: The Debate
Theatre
Fringe review: Wright & Grainger’s Eurydice
Theatre
‘The most elaborate coming out’: Yoz Mensch’s road to happiness
Theatre
‘Electric and theatrical’: Roller derby and family life collide onstage in Mama Does Derby
Theatre
‘A magical thing’: Fringe faithful Britt Plummer is leading a clown revolution
Theatre
Theatre review: Rotpunkt – No Exit
Theatre
Wackadoo! There’s no place like home for Bluey’s stage show
Theatre
‘Find me the Meryl Streep of Korea’: Simon Stone serves Chekhov with K-drama twist in The Cherry Orchard
Theatre
‘There’s more life in a fallen tree than a standing one’: Slingsby plots a long farewell after 21 years
Theatre
Musical review: Here You Come Again
Theatre
Theatre review: Scenes with Girls
Theatre
‘No failure in circus, just feedback’: South Australia’s ‘social circus’ clears 40-year milestone
Theatre
‘It’s about friendship’: Actor Ashton Malcolm steps offstage to direct Scenes with Girls
Theatre
New work revisits the staging of iconic ’60s play, The One Day of the Year
Theatre
Theatre review: The Glass Menagerie
Theatre
‘Algorithms are tearing us apart’: local playwright explores the killing of a right-wing pundit
Books & Poetry
Back to the future: Bill Bryson to return to OZ with ‘Everything’ updated
Theatre
OzAsia Festival review: Opera for the Dead 祭歌
Theatre
‘It so delicately paints human connection’: The Glass Menagerie still a window to the world
Dance
OzAsia Festival review: Ryuichi Fujimura – HERE NOW Trilogy
Theatre
What’s My Scene: Cecilia Ronson has a loud laugh and is ready to use it
Theatre
OzAsia Festival review: William Yang – Milestone
Theatre
Theatre review: American Song
Theatre
State Opera’s Roméo et Juliette wakes audiences with a jolt
Music
Howzat! The summer of cricket is about to get musical
Theatre
Flying Penguin turns ‘ridiculous aspirations’ into two decades of compelling local theatre
Theatre
State Theatre Company promises shorter runtimes and ‘meaty, nuggety questions’ in 2026 season
Theatre
Review: Cirque Du Soleil’s Corteo
Theatre
Musical review: Cats
Film & TV
When it comes to Aussie theatre, David Williamson is the GOAT
Theatre
Opera review: The Magic Flute
Festivals
Adelaide Festival reveals its hail Mary for 2026 program
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