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RM
Rachael Mead
Theatre
Fringe review: How Not to Make it in America
Theatre
Fringe review: The Wild Unfeeling World
Adelaide Festival review: History of Violence
Adelaide Festival review: Slingsby’s A Concise Compendium of Wonder
Review
Fringe review: Millicent Sarre is Too Tired to Smash (Patriarchy)
Review
Fringe review: Wright & Grainger’s Eurydice
Theatre
‘Electric and theatrical’: Roller derby and family life collide onstage in Mama Does Derby
Theatre
From stage to page: Tracy Crisp launches memoir and new cosy-crime Fringe show
Books & Poetry
Musical review: Here You Come Again
Theatre
‘It’s about friendship’: Actor Ashton Malcolm steps offstage to direct Scenes with Girls
Theatre
Book review: Murder on North Terrace
Books & Poetry
‘History isn’t a straight line towards enlightenment’: First-time novelist navigates Colonel Light’s layered identities
Books & Poetry
‘You can’t hide yourself in a poem’: Mike Ladd reflects on four decades of connection
Books & Poetry
Musical review: Cats
Theatre
‘Literature should make us question things’: Hossein Asgari grapples with memory and grief in Desolation
Books & Poetry
Book review: Playing Nice Was Getting Me Nowhere
Books & Poetry
‘I was haunting myself’: Olivia De Zilva revisits Adelaide adolescence in Plastic Budgie
Books & Poetry
Book review: Salvage
Books & Poetry
Cult fiction: The Bearcat explores the making of a ‘master manipulator’
Books & Poetry
Musical review: Beauty and the Beast
Theatre
Music review: Cyndi Lauper
Music
‘Everybody is avoiding the word’: the changing seasons of Carol Lefevre
Books & Poetry
Theatre review – Shirley Valentine
Review
Festival review: Table Top Shakespeare – The Taming of the Shrew
Festivals
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