WM

Walter Marsh

Thumbnail for Alfred Lowe’s ‘wild journey’ to art world acclaim

Alfred Lowe’s ‘wild journey’ to art world acclaim

Thumbnail for ‘Incredibly surreal’: Miles Franklin longlisting caps big week for Adelaide writers

‘Incredibly surreal’: Miles Franklin longlisting caps big week for Adelaide writers

Thumbnail for Revisiting Parklands: a 30-year-old slice of bittersweet Adelaide noir

Revisiting Parklands: a 30-year-old slice of bittersweet Adelaide noir

Thumbnail for Art Gallery lands ‘modernist masterpiece’ after $675,000 bidding war

Art Gallery lands ‘modernist masterpiece’ after $675,000 bidding war

Thumbnail for Archibald Prize spotlights ‘unhinged and unapologetic’ Adelaide filmmakers

Archibald Prize spotlights ‘unhinged and unapologetic’ Adelaide filmmakers

Thumbnail for New Adelaide Writers’ Week director named after 2026 implosion

New Adelaide Writers’ Week director named after 2026 implosion

Thumbnail for ‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

Thumbnail for ‘Hundreds of hours’: Honouring the art of labour at the Adelaide Biennial

‘Hundreds of hours’: Honouring the art of labour at the Adelaide Biennial

Thumbnail for ‘You can administer your own dosage’: 365 days of The Mountain Goats

‘You can administer your own dosage’: 365 days of The Mountain Goats

Thumbnail for For Bad//Dreems, a good music scene is like a local football club

For Bad//Dreems, a good music scene is like a local football club

Thumbnail for ‘Gateway drug into cabaret’: Reuben Kaye promises hedonism and healing at 2026 Adelaide Cabaret Festival

‘Gateway drug into cabaret’: Reuben Kaye promises hedonism and healing at 2026 Adelaide Cabaret Festival

Thumbnail for ‘Gutsy, determined, hilarious and sharp’: Elizabeth Yanyi Close leaves behind a towering legacy

‘Gutsy, determined, hilarious and sharp’: Elizabeth Yanyi Close leaves behind a towering legacy

Thumbnail for ‘What makes a fringe show a hit?’: Hannah Maxwell’s darkly meta riff on Fleabag and Baby Reindeer

‘What makes a fringe show a hit?’: Hannah Maxwell’s darkly meta riff on Fleabag and Baby Reindeer

Thumbnail for ‘Musicians are funny people’: Bret McKenzie has given up trying to suppress his playful side

‘Musicians are funny people’: Bret McKenzie has given up trying to suppress his playful side

Thumbnail for ‘Real shock’ as local author longlisted for $60,000 Stella Prize

‘Real shock’ as local author longlisted for $60,000 Stella Prize

Thumbnail for Lindsey Kraft and Ben Folds premiere new musical at Adelaide Fringe

Lindsey Kraft and Ben Folds premiere new musical at Adelaide Fringe

Thumbnail for ‘The music was in me’: Kankawa Nagarra’s long road to music stardom

‘The music was in me’: Kankawa Nagarra’s long road to music stardom

Thumbnail for ‘All voices should be heard’: Pulp open Adelaide Festival with 90s nostalgia and a simple message

‘All voices should be heard’: Pulp open Adelaide Festival with 90s nostalgia and a simple message

Thumbnail for Heart of gold: Archie Moore digs deep for Adelaide Biennial

Heart of gold: Archie Moore digs deep for Adelaide Biennial

Thumbnail for ‘The most elaborate coming out’: Yoz Mensch’s road to happiness

‘The most elaborate coming out’: Yoz Mensch’s road to happiness

Thumbnail for Adelaide Festival director breaks silence on Writers’ Week, reaffirms ‘defiant spirit’

Adelaide Festival director breaks silence on Writers’ Week, reaffirms ‘defiant spirit’

Thumbnail for Music review: David Byrne at Adelaide Entertainment Centre

Music review: David Byrne at Adelaide Entertainment Centre

Thumbnail for ‘Find me the Meryl Streep of Korea’: Simon Stone serves Chekhov with K-drama twist in The Cherry Orchard

‘Find me the Meryl Streep of Korea’: Simon Stone serves Chekhov with K-drama twist in The Cherry Orchard

Thumbnail for Roomful of Teeth return to Australia with a ‘festival of vocal colour’

Roomful of Teeth return to Australia with a ‘festival of vocal colour’