WM

Walter Marsh

Thumbnail for James Tylor’s long exposure of colonisation on Kaurna Yarta

James Tylor’s long exposure of colonisation on Kaurna Yarta

Thumbnail for Tamám Shud: Phoebe Bridgers is the latest artist inspired by Somerton Man mystery

Tamám Shud: Phoebe Bridgers is the latest artist inspired by Somerton Man mystery

Thumbnail for From Slow Horses to Outback thirst trap: Christopher Chung’s brilliant career

From Slow Horses to Outback thirst trap: Christopher Chung’s brilliant career

Thumbnail for Anthony LaPaglia homeward bound for Adelaide stage debut

Anthony LaPaglia homeward bound for Adelaide stage debut

Thumbnail for Millions of views later, Adelaide author spins failure into ‘fairytale’

Millions of views later, Adelaide author spins failure into ‘fairytale’

Thumbnail for A tale of friendship, survival, and rebellion from Adelaide’s ‘Little Beirut’

A tale of friendship, survival, and rebellion from Adelaide’s ‘Little Beirut’

Thumbnail for How America’s ‘Glass City’ forged a remarkable art legacy

How America’s ‘Glass City’ forged a remarkable art legacy

Thumbnail for Anna Butterss on touring with Flea, and the ‘counter-cultural antidote’ of live music

Anna Butterss on touring with Flea, and the ‘counter-cultural antidote’ of live music

Thumbnail for ‘Back to making music’: Pianist-turned-plaintiff Jayson Gillham returns to the stage

‘Back to making music’: Pianist-turned-plaintiff Jayson Gillham returns to the stage

Thumbnail for Beetlejuice heads to early grave in latest musical cancellation

Beetlejuice heads to early grave in latest musical cancellation

Thumbnail for Cabaret Festival review: Artefact (or, Repatriation: The Musical)

Cabaret Festival review: Artefact (or, Repatriation: The Musical)

Thumbnail for In the age of online ‘brain rot’, what’s a burnt-out classical musician to do?

In the age of online ‘brain rot’, what’s a burnt-out classical musician to do?

Thumbnail for ‘We’re not dumbing it down, we’re lifting it up’: Chekhov for doomscrollers hits Adelaide

‘We’re not dumbing it down, we’re lifting it up’: Chekhov for doomscrollers hits Adelaide

Thumbnail for ‘That’s what I’m singing for’: The dreamy Yolngu pop of Drifting Clouds

‘That’s what I’m singing for’: The dreamy Yolngu pop of Drifting Clouds

Thumbnail for Alfred Lowe’s ‘wild journey’ to art world acclaim

Alfred Lowe’s ‘wild journey’ to art world acclaim

Thumbnail for ‘Incredibly surreal’: Miles Franklin longlisting caps big week for Adelaide writers

‘Incredibly surreal’: Miles Franklin longlisting caps big week for Adelaide writers

Thumbnail for Revisiting Parklands: a 30-year-old slice of bittersweet Adelaide noir

Revisiting Parklands: a 30-year-old slice of bittersweet Adelaide noir

Thumbnail for Art Gallery lands ‘modernist masterpiece’ after $675,000 bidding war

Art Gallery lands ‘modernist masterpiece’ after $675,000 bidding war

Thumbnail for Archibald Prize spotlights ‘unhinged and unapologetic’ Adelaide filmmakers

Archibald Prize spotlights ‘unhinged and unapologetic’ Adelaide filmmakers

Thumbnail for New Adelaide Writers’ Week director named after 2026 implosion

New Adelaide Writers’ Week director named after 2026 implosion

Thumbnail for ‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

Thumbnail for ‘Hundreds of hours’: Honouring the art of labour at the Adelaide Biennial

‘Hundreds of hours’: Honouring the art of labour at the Adelaide Biennial

Thumbnail for ‘You can administer your own dosage’: 365 days of The Mountain Goats

‘You can administer your own dosage’: 365 days of The Mountain Goats

Thumbnail for For Bad//Dreems, a good music scene is like a local football club

For Bad//Dreems, a good music scene is like a local football club