WM

Walter Marsh

Thumbnail for How America’s ‘Glass City’ forged a remarkable art legacy

How America’s ‘Glass City’ forged a remarkable art legacy

Thumbnail for Anna Butterss on touring with Flea, and the ‘counter-cultural antidote’ of live music

Anna Butterss on touring with Flea, and the ‘counter-cultural antidote’ of live music

Thumbnail for ‘Back to making music’: Pianist-turned-plaintiff Jayson Gillham returns to the stage

‘Back to making music’: Pianist-turned-plaintiff Jayson Gillham returns to the stage

Thumbnail for Beetlejuice heads to early grave in latest musical cancellation

Beetlejuice heads to early grave in latest musical cancellation

Thumbnail for Cabaret Festival review: Artefact (or, Repatriation: The Musical)

Cabaret Festival review: Artefact (or, Repatriation: The Musical)

Thumbnail for In the age of online ‘brain rot’, what’s a burnt-out classical musician to do?

In the age of online ‘brain rot’, what’s a burnt-out classical musician to do?

Thumbnail for ‘We’re not dumbing it down, we’re lifting it up’: Chekhov for doomscrollers hits Adelaide

‘We’re not dumbing it down, we’re lifting it up’: Chekhov for doomscrollers hits Adelaide

Thumbnail for ‘That’s what I’m singing for’: The dreamy Yolngu pop of Drifting Clouds

‘That’s what I’m singing for’: The dreamy Yolngu pop of Drifting Clouds

Thumbnail for Alfred Lowe’s ‘wild journey’ to art world acclaim

Alfred Lowe’s ‘wild journey’ to art world acclaim

Thumbnail for ‘Incredibly surreal’: Miles Franklin longlisting caps big week for Adelaide writers

‘Incredibly surreal’: Miles Franklin longlisting caps big week for Adelaide writers

Thumbnail for Revisiting Parklands: a 30-year-old slice of bittersweet Adelaide noir

Revisiting Parklands: a 30-year-old slice of bittersweet Adelaide noir

Thumbnail for Art Gallery lands ‘modernist masterpiece’ after $675,000 bidding war

Art Gallery lands ‘modernist masterpiece’ after $675,000 bidding war

Thumbnail for Archibald Prize spotlights ‘unhinged and unapologetic’ Adelaide filmmakers

Archibald Prize spotlights ‘unhinged and unapologetic’ Adelaide filmmakers

Thumbnail for New Adelaide Writers’ Week director named after 2026 implosion

New Adelaide Writers’ Week director named after 2026 implosion

Thumbnail for ‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

‘There’s been nothing like it since’: Neil Armfield is never far away from Adelaide’s stages

Thumbnail for ‘Hundreds of hours’: Honouring the art of labour at the Adelaide Biennial

‘Hundreds of hours’: Honouring the art of labour at the Adelaide Biennial

Thumbnail for ‘You can administer your own dosage’: 365 days of The Mountain Goats

‘You can administer your own dosage’: 365 days of The Mountain Goats

Thumbnail for For Bad//Dreems, a good music scene is like a local football club

For Bad//Dreems, a good music scene is like a local football club

Thumbnail for ‘Gateway drug into cabaret’: Reuben Kaye promises hedonism and healing at 2026 Adelaide Cabaret Festival

‘Gateway drug into cabaret’: Reuben Kaye promises hedonism and healing at 2026 Adelaide Cabaret Festival

Thumbnail for ‘Gutsy, determined, hilarious and sharp’: Elizabeth Yanyi Close leaves behind a towering legacy

‘Gutsy, determined, hilarious and sharp’: Elizabeth Yanyi Close leaves behind a towering legacy

Thumbnail for ‘What makes a fringe show a hit?’: Hannah Maxwell’s darkly meta riff on Fleabag and Baby Reindeer

‘What makes a fringe show a hit?’: Hannah Maxwell’s darkly meta riff on Fleabag and Baby Reindeer

Thumbnail for ‘Musicians are funny people’: Bret McKenzie has given up trying to suppress his playful side

‘Musicians are funny people’: Bret McKenzie has given up trying to suppress his playful side

Thumbnail for ‘Real shock’ as local author longlisted for $60,000 Stella Prize

‘Real shock’ as local author longlisted for $60,000 Stella Prize

Thumbnail for Lindsey Kraft and Ben Folds premiere new musical at Adelaide Fringe

Lindsey Kraft and Ben Folds premiere new musical at Adelaide Fringe