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Archive
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The Birds: it’s risqué, it’s dark, it’s provocative
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Naomi Price: Rumour Has It
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Dash Kruck: I Might Take My Shirt Off
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A glam-rock adventure with Starman
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Film review: Mustang
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SA arts advocates ramp up political campaign
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Book extract: The Convict’s Daughter
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Poem: The Hills Are There Again Today
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Slingsby ‘thrilled’ to score Helpmann nomination
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$35m upgrade to lure blockbusters to Her Maj
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How Orange is the New Black changed TV for the better
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What’s on: Proms, portraits and Straight White drama
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Students design virtual-reality art gallery
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The Sammy J Songbook
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The Juliet Letters
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What’s on: The Living End, Last Galah and more
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Miss Behave’s Gameshow
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This Infernal Racket
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David Hobson & Colin Lane – In Tails
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Film review: Finding Dory
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Songs for the Fallen full of delightful debauchery
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The Wharf Revue
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Aussie horror comics to feature at US Comic Con
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Love will be in the air as romance writers gather
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Poems about perceptions
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Dita Von Teese: Burlesque – Strip Strip Hooray!
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The Weill File
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Tales of a City by the Sea
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Hard Rain: Barb Jungr
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Cabaret Festival Family Gala
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The Composer is Dead
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Decadence: Ali McGregor
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This Gaming Life: Tripod with the ASO
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Mother’s Ruin – A Cabaret About Gin
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Cabaret Festival Variety Gala Performance
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What’s on: from cool cabaret to Pure Poetry
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2016 Cabaret Festival proves a hot ticket
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What’s on: Cabaret, Sea & Vines and art aplenty
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Julia deVille’s taxidermy chicks win 2016 Waterhouse Prize
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Film review: Teenage Mutant Turtles
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Film review: Now You See Me 2
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Candice Fox on the twists and turns of crime writing
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Poem: The Work
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Discovering the world’s most beautiful bookshops
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Career milestone for Indigenous band No Fixed Address
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Family life marks food and wine art winner
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Cabaret reflects on the dying art of letter writing
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Playing card landscape wins 2016 Fleurieu Art Prize
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