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IT
InReview
Music
What’s My Scene: Ryan Martin John finds magic in the moment
Music
What’s My Scene: Motez is making music for himself – and the dancefloor
Green Room: AGSA lands 460-year-old portrait of Queen Bess | Adelaide Festival’s $100,000 local investment
What’s My Scene: Any Young Mechanic bring Adelaide’s ‘freak corner’ to the world
Music
What’s My Scene: Street Legal drop the needle between critique and catharsis
Music
What’s My Scene: Anya Anastasia’s favourite collaborator is nature
Music
What’s My Scene: Maybelline Celles Spinley San Juan is an arts industry ‘Hannah Montana’
Theatre
What’s My Scene: Anna Jeavons takes comfort in the chaos
Music
What’s My Scene: Lou Blackwell shares the Great French Songbook
Music
Herb Wharton: Stockman turned master storyteller of the Outback
Books & Poetry
What’s My Scene: Tom West wouldn’t trade away his young, cringe and clueless era
Music
What’s My Scene: Gilly & Bede are one folk duo that won’t end up hating each other
Music
Green Room: Beetlejuice Adelaide-bound | Flickerfest’s local showcase | Sidney Nolan’s ‘Adelaide Ladies’
Green Room
What’s My Scene: Maajela swap the temple for the festival stage
Music
Author goes Rogue in his raciest book ever
Books & Poetry
What’s My Scene: For Allison Chhorn, memory makes good material
Visual Art
What’s My Scene: Amelia Rooney isn’t scared of her voice anymore
Theatre
Your festival season fix is here
Festivals
What’s My Scene: Charles Jenkins is still writing songs
Music
Green Room: Central Market mural callout | Stigwood Fellows revealed | Guildhouse’s $50,000 opportunity
Green Room
What’s My Scene: Christian Best finds Adelaide’s hidden depths
Visual Art
Small-town vibes on the menu in fiery debut novel about identity
Books & Poetry
Wackadoo! There’s no place like home for Bluey’s stage show
Theatre
What’s My Scene: My Chérie finds strength in vulnerability
Music
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