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Archive
Archive
Unveiling the uncomfortable truth of Indigenous youth suicide
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What’s on: Dance, Winterfest, We Will Rock You
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Cabaret review: Patti LuPone – Don’t Monkey with Broadway
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“Lauded and vilified”: Triggs to feature in Adelaide Festival of Ideas
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Film review: Jurassic World – Fallen Kingdom
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Cabaret review: Songs for Those Who’ve Come Across the Seas
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Cabaret review: Wayne Brady
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Adelaide street magazine to shut down
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Poems from the road
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What’s on: A disco party, rare films, Impressionism up late
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Art installation imagines life billions of years ago
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Adelaide Festival’s Hamlet vies for seven Helpmann Awards
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What are your top three Australian films?
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Cabaret review: Them There Eyes
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Cabaret review: Sunglasses at Night – The 80s Apocalypse Sing Along Cabaret
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Cabaret review: Tom Waits for No Man
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Cabaret review: The Wine Bluffs
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Cabaret review: Yma Sumac – The Peruvian Songbird
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Cabaret review: Butt Kapinski
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Cabaret review: Very Strange Things
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Film review: Incredibles 2
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Film review: The Leisure Seeker
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Mentorships offered to further SA arts careers
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Poem: Hobbit
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Cabaret review: Lea DeLaria
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Cabaret review: The Cat Empire
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Cabaret review: Madeleine Peyroux
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Cabaret review: Modern Maori Quartet
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Cabaret review: Glorious Misfits
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Cabaret review: Variety Gala
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Cabaret review: You Am I Plays Spinal Tap
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Cabaret review: Taking it Up the Octave
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What’s on: Putting on the glitz, art meets science
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Review: Stomp
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Poems: Pondering with Pelicans & Waiting for It
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Adelaide Cabaret Festival: six of the best from Ali McGregor
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What’s on: Cabaret picks, Fleurieu art, The Whitlams
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Drive to develop new TV dramas in SA
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Off the Wall: Royal fever hits the gallery
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What’s on: Archie Roach, cult film, 54 Reasons to Party
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Adelaide’s piano man has eyes on Paris
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Film review: My Brother Simple
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Poems: Peewee and Kookaburras in Leadlights
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Revisiting old friends at Colours of Impressionism
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Grace & Grandeur, pleasure and pain
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SA school music education in ‘crisis’
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Theatre review: Terrestrial
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Dance company finds new identity and home in historic theatre
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