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Archive
Archive
Review: Adelaide Cabaret Fringe Gala
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Theatre review: Chess the Musical
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On your marks for The Appleton Ladies’ Potato Race
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In The Studio with Claire Wildish
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Wine reviews: Bursting the cultural cringe bubble
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Poem: A kind of love
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Diary of a bookseller: Weekend goals achieved
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Sorry and beyond: Investing in the healing process
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Music review: ASQ In Concert – Bartók, Mendelssohn, Fischer
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DreamBig review: Creation Creation
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DreamBig review: Zooom
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Festival review: Coriole Music Festival
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SA ‘rising star’ wins 2021 Ramsay Art Prize
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Ceramica Maxima: ‘More is more and less is a bore’
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Film review: Ema
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Restaurant review: Mum Cha
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Book review: Off the Charts
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Poem: Ptolemy I
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SA heritage revamps and smaller scale architectural interventions
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Green Room: Opportunities for diverse artists, scriptwriters and choirs
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Book review: The Morbids
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Art lover Diana Ramsay’s everlasting gift
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Has the government rescued the arts in this budget?
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Ianto Ware tells the story of his wilful family
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Paulini’s next move
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Green Room: Night at the museum, food for thought, art in the park
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Malbec magic in Langhorne Creek
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Television review: Shrill
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What is real in this confusing world?
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Poem: Sawtell Beach
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Diary of a Publisher: The creativity of folk knows no bounds
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Opera review: Sweeney Todd
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Theatre review: Euphoria
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TV review: ABC’s Art Works
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Dance review: Convergence
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Ern Malley: How the poet who never lived became the poet who will never die
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Green Room: Phone booth art, writers’ incubator, SALA
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The way we were: ‘modern living’ in South Australia
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Restaurant review: ShoSho
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Public architecture projects create a sense of civic pride
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Book review: Buried Not Dead
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Poem: History
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Curious cast conjured from an artist’s imagination
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Love, death and pies: Ben Mingay on the demon barber
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Book review: Maddening Self-Indulgent Crap
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What it means to dance like a man
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Announcing the winner of the inaugural Helpmann Academy-InReview mentorship
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Film review: First Cow
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