2024 Adelaide Fringe

Fringe review: Aboriginal Comedy Allstars

Fringe review: Someday We’ll Find It

Fringe review: A Body at Work

Fringe review: Cry Baby

Fringe review: Reuben Kaye’s APOCALIPSTIK

Fringe review: Dirty Energy

Fringe review: Station J – An M16 Comedy

Fringe review: Jamie MacDowell and Tom Thum

Fringe review: High Pony

Fringe review: High Pony

Fringe review: Swoon

Fringe review: Whore’s Eye View

Fringe review: Murder Village

Fringe review: Sh!t-faced Shakespeare – Macbeth

A love letter to the hospo industry’s ‘dirty energy’

Fringe review: Ben Hart – HEX

Fringe review: Anna Piper Scott – None of that Queer Stuff

Fringe review: Mga gamit ng isang makata

Fringe review: Appraisal

Fringe review: Daddy Algorithm

Fringe review: 1 in a Chameleon

Fringe review: Plenty of Fish in the Sea

Fringe review: Haiku for You

Fringe review: The Gods The Gods The Gods

Fringe review: Ningaloo – Australia’s Other Great Reef

Effie – still up herself after all these years

Fringe review: The Grilling Season with Annabel Crabb

Fringe review: Bang On Live

Fringe review: B.L.I.P.S.

Fringe review: History of House

Fringe review: A History of Early Bob Dylan

Fringe review: Fool’s Paradise

Natural Wonders lights up Adelaide Botanic Garden

‘If I do my job well then I should really be invisible’

‘If I do my job well then I should really be invisible’

The future looks bright for these emerging art stars

Discover the art of science

Fringe review: Adam Page – STEREO

Fringe review: Blood of the Lamb

Fringe review: Come Together – The Beatles Rock Show

Fringe review: GODZ

Greg Clarke returns to Adelaide Fringe – as an artist

Fringe review: Limbo – The Return

Fringe review: Mythos Ragnarök

Fringe review: Lady Sings the Blues Volume 2

Fringe review: Demagogue

Fringe review: Mel Buttle – Not Here to Put Socks on Centipedes

Fringe review: Tommy Little has a Regular Size Deck