Fringe review: Everyb0dy’s G0t A B0mb
Poetry in motion abounds from this dance show with an empowering undercurrent. ★★★
Everyb0dy’s G0t a B0mb arrives with a striking premise and a large company of dancers ready to throw themselves fully into its intense contemporary world. From the start, the stage is packed with movement: bodies weaving in and out of sharp choreography that favours power, confrontation and spectacle. It’s ambitious and isn’t afraid to lean into darker, more provocative territory, and the ensemble is undeniably talented. The synchronicity across such a large group is impressive and at several points the collective body flow becomes genuinely captivating. There are moments where the choreography resolves into beautiful tableau poses that feel almost sculptural, creating visual images that linger in the mind. It’s also refreshing to see a broader range of body types represented on stage, alongside a stronger than usual male presence.
That said, the emphasis on female strength and agency within the choreography adds a welcome layer. Several sequences highlight the female form, with a quiet strength in their movement that creates a dynamic that feels both intentional and refreshing.
However, the production’s intensity occasionally tips into overload. The sound design is extremely loud and becomes distracting, at times pulling focus away from the choreography. Combined with confronting themes and imagery, this makes the show feel far less suitable for all ages than its billing suggests. Technically, most of the lighting shifts flow smoothly, although a few rapid changes land awkwardly and feel out of step with the otherwise fluid visual design. Several sequences linger a moment or two longer than they need to, slightly dulling the impact of what are powerful ideas. Still, there is plenty to admire, particularly in the dancers’ precision and commitment. When the elements align, Everyb0dy’s G0t A B0mb creates striking stage pictures and moments of genuine movement poetry.
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Everyb0dy’s G0t A B0mb is playing at Sir Robert Helpmann Theatre from March 11 – March 18
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