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Archive
Archive
Festival review: Carmen
Archive
Fringe review: The Otherworld
Archive
Fringe review: Singin’ in the Pain
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Festival review: Manus
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Festival review: Natalie Clein & Katya Apekisheva
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What’s on: WOMAD, Wunderbar, avant-garde art
Archive
Festival review: La Reprise
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Festival review: Two Jews Walk Into a Theatre…
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Rage, Rape and Revolution at Adelaide Writers’ Week
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Film review: King of Thieves
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Festival review: By Heart
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Festival review: A Man of Good Hope
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Fringe review: Comedians Against Humanity
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Fringe review: Stephen K Amos – the story so far
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Poem: Seashells
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Shows to get fired up about at 2019 WOMADelaide
Archive
Man with the Iron Neck: a story of trauma and hope
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Lizards, art and philosophy
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Fringe review: Scotland!
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Fringe review: All the Lovely Magdalenes
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Festival review: Blaas
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Fringe review: Reverend Billy and The Stop Shopping Choir
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Fringe review: Fuego Carnal
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Festival review: The Magic Flute
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Festival review: Out of Chaos …
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Festival review: Two Feet
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Fringe review: Fiona O’Loughlin – Gap Year
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Fringe review: The Silent House
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The world is what it is because we have dreamt it …
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Fringe review: Why John Howard REALLY sucked
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Fringe review: Adelaide Songs
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Festival review: Baba Yaga
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What’s on: Mad March, Diving with Sir David, Ben Quilty
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2019 Adelaide Festival set for another box office record
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Fringe review: Edgar Allan Poe’s Haunted Palace
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Fringe review: Pussy Riot – Riot Days
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Fringe review: Evangeline
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Poem: Dutch Iris
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Thousands expected at free open-air Symphony for Our World
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From Fringe to WOMAD, Ukulele Death Squad is slaying it
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Tears, joy and discovery: Jo Dyer’s life in books
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Fringe review: Finale
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Fringe review: Fringe Wives Club – Glittery Clittery
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Fringe review: The Magnets – The Naked ’80s
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Fringe review: Djuki Mala
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Fringe review: Flight
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Fringe review: Matt Tarrant – More Unsolved
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Fringe review: Intimate Night with the Blues
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