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Archive
Archive
Fringe review: Barbaroi
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Fringe review: Sam Simmons
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Fringe review: Euromash
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Festival review: Impermanence
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Fringe review: Sole Mates
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The ‘sin’ of simply being yourself
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Making moves: Lewis Major’s unfolding dance career
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Book review: Where the Fruit Falls
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Fringe review: Yasemin Sabuncu – The Illest
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Thousands revel in live music at reimagined WOMADelaide
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Festival review: BLKDOG and Six Years Later
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Fringe review: Tex Perkins and Matt Walker
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Fringe review: The Alphabet of Awesome Science
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Fringe review: Smashed – The Brunch Party
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WOMADelaide review: Midnight Oil
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Fringe review: Hughman
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Fringe review: Phil Stack
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WOMADelaide review: Archie Roach, Lior and Sarah Blasko
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Festival review: Medea
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The heartbreaking story of Jimmy the pig
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Festival review: High Performance Packing Tape
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Fringe review: Prinnie Stevens – Lady Sings the Blues
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Fringe review: Bred
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Dry argument: The trouble with almonds
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Fringe review: Something in the Water
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Fringe review: Lost in Translation
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David Gulpilil’s final story
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Politics, power and personal tragedy at Writers’ Week
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Gravity & Other Myths’ new iso-inspired Fringe show
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The gospel according to Vika and Linda Bull
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Somewhere over the rainbow is The Aspie Hour
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Fringe review: A Flying Photon
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Fringe review: Ange Lavoipierre – Zealot
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Fringe review: Come Sail Your Ships… Again
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Festival review: Race Cards
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Angels and aliens: stories from the frontline
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Fringe review: Chicksal 500
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Fringe review: The Abandoned Cabin
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Festival review: Guttered
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Turnbull calls for inquest: Writers’ Week charts darkness and light
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Festival review: Fangirls
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Fringe review: Petit Circus – Bon Appetit
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Pandemic and politics: Writers’ Week begins with some big questions
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Festival review: A Midsummer Night’s Dream
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Fringe review: Adelaide Gaol Ghost Tour + Investigation
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Fringe review: Scomo’s Sunday Service
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The right tone: seeing the world in a different light
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Festival review: The Boy Who Talked to Dogs
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