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Archive
Archive
Lucy Neave’s Who We Were
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Poem: Banking, 1957
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The Comedy of Errors
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Waterhouse Prize artists tackle hot issues
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Sustainability theme for Fleurieu Art Prize
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The Superjesus resurrected at The Gov
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Zephyr Quartet: A Rain From the Shadows
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The Look of Love
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What’s on in Adelaide
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Dancer’s journey inspires OzAsia work
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Man of Steel
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Philipp Meyer’s The Son
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A trio of poems by Philip White
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AC Arts’ A Midsummer Night’s Dream
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Windmill a frontrunner in Helpmann Awards
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A quaint tale of Tainted Love
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Menzel closes Cabaret Festival on a high note
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A trip to Mexitown with Puta Madre Brothers
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Hans – Like A German!
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Sunny Leunig: A Guide to Unhappiness
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Artist Jeffrey Smart dies in Italy
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Heartland: a fresh look at South Australia
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Laughs and surprises on Neville’s Island
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What’s on in Adelaide
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Martha Wainwright: Come Home to Mama
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Despicable Me 2 (3D)
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Compositions – A Musical Close-Up
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After Earth
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The Internship
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de Kretser wins Miles Franklin Award
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Hannah Kent’s Burial Rites
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Poems: Evening and Saturdays in Autumn
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Bakehouse play adds to euthanasia debate
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SA authors shortlisted for PM’s Literary Awards
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Joyful Class of Cabaret
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Sugartits: so wrong yet so right
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Meow Meow paces and purrs
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SA gets $64.6m boost from Adelaide Fringe
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The cabaret charisma of Capsis
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Spanish Film Festival: The Summer Side
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Spanish Film Festival: The Summer Side
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What’s on in Adelaide
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Surrender to the strangeness of Rramp
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Colourless effort from jazz star
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Chaplin: A Life in Concert
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Tom Burlinson’s salute to swing
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Robert Dinsdale’s Little Exiles
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Still Mine lifts lid on ageism
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