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Archive
Archive
“Terrible festival – the worst by a long shot”: Has Adelaide gone beyond the Fringe?
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Review: Kate Ceberano
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Review: African Show Boyz
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Review: Ted Egan with Me ’N Me Mates
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Review: A Bob Dylan/Neil Young Experience
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Review: Monumental
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The true value of Adelaide’s festivals
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Review: The Orchid and the Crow
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Review: A Murder Most Foul
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Asian Dub Foundation: it’s gonna be wild
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Film review: The Lady in the Van
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Review: Eglantyne
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Review: Hart
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Review: Briefs
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Fringe laughs with Matt Okine
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Review: The Walking Dreads
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Review: She Was Probably Not a Robot
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Poem: Nature’s Tenderness
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2016 Oscars: the experts’ view
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Mad Max scoops six Academy Awards
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‘If you didn’t laugh, you would just shrivel up’
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Review: The Young King
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Fringe laughs with Aunty Donna
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A conversation with Magda Szubanski
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Deluge a class act in Adelaide Festival
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Review: The Events
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Review: The James Plays – James III
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Review: Showtime
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Review: The James Plays – James II
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Review: Untapped
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Review: Hannah Gadsby – Dogmatic
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Vibrant what? The failed language of cultural policy
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Review: Beers about Songs
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Review: Habitus
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Review: Erth’s Dinosaur Zoo
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Review: Unsound Adelaide
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Review: The James Plays – James I
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InDaily’s 2016 Adelaide Festival picks
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Adelaide Festival fires up with Oval spectacular
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Review: Go Down, Moses
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Review: Fuego Carnal
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When I knew I was a writer
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Magic unfolds at 2016 Adelaide Biennial
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Review: Bicycle
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Review: Roots of the Blues
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Film review: Son of Saul
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Review: Love, Loss and Lattes
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State-funded arts organisations face budget battle
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