All killer. No filler.
The South Australian Living Artists Festival (SALA) is an annual festival held to promote and celebrate the many talented and not-so-talented South Australian visual artists that live and work among us. Since 1998, tens of thousands of artists must have exhibited in various metropolitan and rural locations across SA, and judging by the weight of this year’s program 2019 is adding a whole lot more.
Use CityMag’s guide to SALA to sort some of the wheat from the chaff and make sure you’re only absorbing the most mesmerising art experiences.
Rather that put a blindfold on and poke at the program, we spoke to five of our favourite artists – people who know – and asked them to recommend their favourite shows for SALA 2019.
Creating brightly coloured, geometric balsa wood sculptures, Amy Joy Watson examines human propensity for imagining different and better worlds from a highly personal perspective. Watson won’t be seen out and about too often because hundreds of hours of work go into making her creations. Of course, she’s making an exception for SALA – here’s what she’s hanging out for this year.
What are you hanging out to see this SALA and why?
Follow Amy here.
Kaspar Schmidt Mumm has a reputation as an exciting, young visual artist with a focus on collaboration and community. With Pakistani and Columbian heritage, Mumm’s artistic identity grew from his inability to conform to his varying homes.
What are you hanging out to see this SALA and why?
When CityMag asked me to plug some exhibitions in SALA I thought about a few things: Do I talk about myself? Do I mention my contemporaries? Or do I find things that represent our state and get people to think outside of the norm? Adelaide has a vast artistic community.
From artist-run initiatives, institutions, outsiders to schools and community centres there are a lot of options. South Australia loves its traditional crafts: painting, glass, metal sculpture, etc. My background is in painting, but I’ve moved into artistic performance, so I’ve decided to give you a variety to take a look at.
Follow Kaspar Schmidt Mumm here.
Challenging the ideas of the contemporary female experience, Janine Dello can be found in her studio layering her signature pastel-coloured oils to create the picture-perfect portrait. Inspired by fantasy-like fashion imagery, Dello continues to explore female vulnerabilities in her work.
What are you hanging out to see this SALA and why?
Follow Janine here.
Working with sculpture and installations, Julia Robinson’s work reflects an interest in religion, death and the afterlife. Forcing us out of our comfort zones, Robinson’s work examines our discomfort with death and how humans address these concerns through ritual.
What are you hanging out to see this SALA and why?
With so much exceptional work on show, it’s hard to narrow the field but the following SALA events have particularly caught my eye.
The Inland Sea by Kate Kurucz and Hunger of the Void by Ray Harris at Praxis Artspace promises to be haunting and poetic, unearthing our preoccupation with doomed expeditions and psychological narratives. Amy Joy Watson’s Super Natural Geologies at Hugo Michell Gallery will offer us a glimpse of her meticulously crafted and delightfully curious vision of Utopia. Material Connections at Floating Goose Studios brings Sam Gold and Harriet McKay together in a sensitive collaboration exploring the power of touch and haptic connections. Emerging artist Yoko Lowe is showing a series of delicately scribed and densely layered egg tempera works in Life as Lines at the City of Mitcham Foyer Art Gallery. And finally, I can’t go past PechaKucha Night; a delicious burst of short, sharp and shiny PechaKucha 20×20 talks from a great line up of artists at Nexus Arts.
Follow Julia here.
Having exhibited all over Australia, North America, Asia and Europe, Datsun Tran’s work has varied in style and subject matter. While Tran’s work primarily focuses on the natural world, Tran explores themes of conflict, utopia, personal identity and human bonds/divisions.
What are you hanging out to see this SALA and why?
This year, I’m most looking forward to Margaret Ambridge’s show Beneath at Praxis Artspace. I’ve always been a fan of Margaret’s work besides her obvious mastery of charcoal, her intimate and sometimes confronting subject matter is a pleasure to work through. I’m looking forward to seeing a large body of work from her under the one roof. We cross paths quite often since we both work out of Central Studios, but I’ve restrained myself from asking for a sneak peek at her show so I can feel the full impact at the opening. I’m also looking forward to the Central Studios open day, which is always an interesting opportunity to speak to and show the public through a working art making space.
Follow Datsun here.